Three interlocked spirals converge at the core, carved into a densely textured field of muted violets and mineral whites. The surface is not painted — it is constructed. Each groove defines rotation with precision, building a layered architecture of movement rather than gestural chaos.
The absence of aggressive color forces attention onto structure, rhythm, and depth. Light moves across the ridged surface, activating the spiral through shadow rather than pigment.
This work explores controlled force — rotation as engineered balance rather than emotional eruption.
